Articles
Kosa Magazine, 2003
My two main concerns for all young percussionists
Naoko Takada
I. You know the piece
very well, but you do not know what you want to do with it!
Most students who are not at
an advanced level usually feel that their problem is in their technique.
They are so worried, thinking about the possibility of never achieving
great technique. As long as you keep practicing consistently in the right
way, you will get those techniques in time. I have been there as well.
You just need to be patient.
However, my real concern is
for advanced students. They say, I know the piece very well, but
I dont know what I want to do with it. At first, I didnt
understand what they meant. Then I was surprised to find that this kind
of struggle is so common among advanced students. They do not know what
to do after learning the notes!
As my dear teacher, Gordon
Stout, says, Always music first, then technique. The point
of this is that you feel the lack of technique because you cannot hear
what you want to hear when you play. Technique is very important, but
when it becomes your primary concern, it is dangerous. The ultimate danger
is that everyone may end up playing the piece alike just like a computer,
trying to play the right notes and nothing else.
If you feel that this is your
problem, please go back to your main goal. Instruments are a means of
expression and feelings for musicians. There are so many feelings that
we want to express to the entire world, and music is our global language.
We want to share what we have inside. That is why music has been essential
to human life.
II. Is the way you perform
this music from your own original ideas?
If you are not sure how to
answer this question, then you are in big trouble in the long run. More
or less, you are unconsciously mimicking what sounds familiar in your
brain. It may be from the recording you listened to, or it may be the
way your teacher or your favorite artist played the piece. It is always
nice to be open to other peoples suggestions, but it is for you
to decide, not to do everything that is said. You know a piece is yours
only when the interpretation is your own.
Relatively speaking, there
are many recordings available nowadays. Most students study their music
along with these recordings. It is a great thing that we have sources
to get an idea of how pieces sound before we begin learning them. However,
if you do not feel anything for the music after learning it, then you
have no message to relay to your audience. It means you have left out
the most important part of your practice. You should be creating your
own music from that piece.
Our common goal is to reach
audiences through music. There is never only one right way to play a given
piece of music. It always depends on the performer to give it character,
and we are lucky to be the ones who decide what to do with the notes on
the page. It is very important that the piece sounds like you.
Sometimes, we hear the same
piece interpreted entirely differently by different performers, but that
is what makes music so interesting and fun. Many well-known players say
that their uniqueness in playing music comes from their life outside of
music. If you have nothing to say, the music will not come, and you will
not hear what you want to hear. All music will sound the same.
It is amazing how advanced
percussionist techniques have become. It seems that there are so many
good percussionists everywhere, waiting for their time to shine. As a
dreamer, I really hope that each percussionist will keep creating their
own style and express themselves in ways that will appeal to the world.
If so, maybe there will be a great demand for percussionists (just as
there is now for pianists) in the near future.
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